![]() ![]() I had to go through several revisions of the film and to get into those Sundance and Film Independent labs with the script. But you have to have this thick skin, you can’t take things so personal. A lot of patience, a lot of rejections, a lot of no’s. He said, “It’s an extremely difficult career to take on. Luther advised those wanting to take on the task of filmmaking that rejection is just part of the process. ![]() Rejection can be part of working through ideas. So I really did my homework and found a place that could workshop a film that I had, you know, wanted to write ‘Frybread’ and really became a part of their program.” I mean, you can, but you know, you have to kind of understand and know the industry and know that there are programs in all aspects of filmmaking. He explained, “I had to do a lot of research and homework, which is not necessarily something that you’re taught about in college or in film school. He explained the importance of workshopping ideas and developing thick skin. From there he got involved in Film Independent and the Sundance Screenwriters’ Lab. When Luther transitioned to narrative features he did research on programs that help upcoming screenwriters and directors. “Miss Navajo” premiered at Sundance Film Festival and aired on PBS’s “Independent Lens,” that year. His 2007 documentary “Miss Navajo” chronicled the experience of beauty pageant contestants in the Miss Navajo Nation contest. He began working in documentaries and has worked consistently in the genre for the last 15 years. So it just started at an early age.”Īfter high school, Luther went to film school in Chicago. ![]() So I would borrow cameras and VHS cameras and just with my neighborhood friends and just go out and start filming things. And when I probably was about 10 years old, I just knew exactly what I wanted to do. That drive informed his career as a filmmaker. Luther knew early on what he wanted to do. Writer and director Billy Luther sits with actors Charley Hogan and Keir Tallman on the set of “Frybread Face and Me.” (Courtesy: Billy Luther) It was produced by Chickasaw citizen Chad Burris’ company Indion Entertainment, and includes an executive producer credit from Luther’s long time friend Taika Waititi. The film also retains Native and Indigenous involvement. Premiering at the 2023 South by Southwest Film Festival in Austin, “Frybread Face and Me” was writtenĪnd directed by Luther. In the film, Benny makes his young cousin laugh for the first time while the family argues. The moment references the A’wee Chi’deedloh (the baby laughed), a Dine ceremony celebrating a baby’s first laugh that occurs around 3 months of age. When his disconnected uncle asks him the gibe, “Are you a cowboy or a cowgirl?” he answers with the already set understanding of who he is, “I’m just Benny,” he replies.īenny remains Benny to the end, only changing in his awareness to the strength of his cultural ties when he effuses joy at the news it was his grandmother who made him first laugh. There, he experiences a fish-out-of-water summer with his culturally-grounded cousin Dawn, gets a crash course on being Navajo, and remains true to himself. The film follows Benny, an 11-year-old Navajo/Hopi/Pueblo city kid from San Diego, sent to spend the summer of 1990 with his maternal grandmother on the Navajo Reservation while his parents sort out their marriage. Against a blank, black screen the narrator states, “My grandmother once told me in Navajo storytelling, symbols mean more than facts and time means nothing at all.” With this we get full on cultural context, setting, and the kind of kinship relations a good reservation tale has.įilmmaker Billy Luther (Dine/Hopi/Laguna Pueblo) recently spoke about his film and career path with Mvskoke Media’s LiveWire. – The opening voice over in “Frybread Face and Me” precisely sets more than just the tone for the coming-of-age feature film. The authoritative record of WORLD Radio programming is the audio record.OKMULGEE, Okla. This text may not be in its final form and may be updated or revised in the future. WORLD Radio transcripts are created on a rush deadline. Mom Eva admitted to a more practical thought once baby number one arrived:ĮVA: Once he was born, you know, thinking of the tax write off? I was like maybe we can get another tax write off!ĮVA: Seeing them in person and seeing their faces I was like, they’re so cute! I’m so glad they’re healthy. So the twins are born on different days and different years! And then:ĮVA: I was still pushing when everyone’s doing the countdown and all said “Happy New Year!” in the middle of me trying to push out Baby B. MYRNA BROWN, HOST: The first baby in town born in the new year usually makes local news, but this year in New Jersey? A twist!īilly and Eva Humphrey welcomed baby boy Ezra before the stroke of midnight on December 31st. ![]()
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